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Self Publishing Versus Publishing House
Remedies for Copyright Infringement
Who can Claim Copyright Infringement?
Criminal Liability for Copyright Infringement
Can Ideas be Protected by Copyright?
Copyright for Freelance Writers
Copyright in Literary, Dramatic and Musical Works
Copyright in Sound Recordings and Films
Copyright in Published editions
Computer Generated Works Copyright
Copyright Protection for Software
Copyright Technological Protection Measures
Internet Service Providers Copyright Illegal Material
Defence of Fair Dealing in Copyright Law
Trade Marks Relative Grounds for Refusal
Defences to Trademark Infringement
Defences to Patent Infringement
Information Commissioner Data Protection Act Powers
Protection of Company Information
Data Protection Requirements for Business
In relation to literary, dramatic, musical and artistic works as a general rule copyright expires at the end of the period of 70 years from the end of the calendar year in which the author dies.
The following are exceptions to this general rule:
If the work is of unknown authorship, copyright expires at the end of the period of 70 years from the end of the calendar year in which the work was made or, if the work was made available to the public during that period, copyright expires at the end of the period of 70 years from the end of the calendar year in which it was first made available to the public. However, if during one of those periods the identity of the author becomes known copyright will expire at the end of the period of 70 years from the end of the calendar year in which the author dies.
Work becomes available to the public if it is performed in public, exhibited to the public, shown in public or communicated in some other manner to the public. However, if the work has only become available to the public as a result of an unauthorised act such act will not be taken into account for the purposes of determining the duration of the copyright.
Where work is created outside of the EEA and the author is not a national of an EEA state, the laws relating to the country in which the work was created will apply as long as such laws do not exceed the periods set out above.
Where work is computer-generated copyright expires at the end of the period of 50 years from the end of the calendar year in which the work was made.
In relation to work of joint authorship where the identity of all the authors is known copyright expires at the end of the period of 70 years from the end of the calendar year in which the last of the authors die.
If the identity of one or more of the authors is known but the identity of one or more of the authors is not known, copyright will expire at the end of the period of 70 years from the end of the calendar year in which the last of the authors whose identity is known dies.
For the purpose of determining when copyright expires in relation to work of unknown authorship being made available to the public the identity of the author becoming known is taken to mean any one of the authors becoming known.
In relation to work of joint authorship the exception relating to non EEA nationals will only apply if all of the joint authors are non EEA nationals.
Crown copyright expires 125 years from the end of the calendar year in which the work was made or if the work was published commercially before the end of the period of 75 years from the end of the calendar year in which it was made, it expires 50 years from the end of the calendar year in which it was published.
Parliamentary copyright expires 50 years from the end of the calendar year in which the work was made.
As far as sound recordings are concerned as a general rule copyright expires:
at the end of the period of 50 years from the end of the calendar year in which the recording is made; or
if during that period the recording is published, 50 years from the end of the calendar year in which it is first published; or
if during that period the recording is not published but is made available to the public by being played in public or communicated in some other manner to the pubic, 50 years from the end of the calendar year in which it is first made available to the public.
However, if the work has only become available to the public as a result of an unauthorised act such act will not be taken into account for the purposes of determining the duration of the copyright.
There is an exception to this general rule in relation to sound recordings created by non EEA nationals.
Where the author is not a national of an EEA state, the laws relating to the country in which the author is a national will apply as long as such laws do not exceed the periods set out above.
However, if this would contravene an international obligation to which the UK became subject prior to 29 October 1993 the general rules relating to the duration of copyright for sound recordings will apply.
In relation to films as a general rule copyright expires at the end of the period of 70 years from the end of the calendar year in which the last of the following persons die:
the principal director;
the author of the screenplay;
the author of the dialogue;
the composer of music specially created for and used in the film.
Again, there are some exceptions to this general rule. The exceptions are as follows:
If the identity of one or more of the persons described above is known but the identity of one or more of them is not known, copyright will expire at the end of the period of 70 years from the end of the calendar year in which the last of them whose identity is known dies.
If none of the above persons identity is known, copyright expires at the end of the period of 70 years from the end of the calendar year in which the film was made or if during that period the film is made available to the public, at the end of the period of 70 years from the end of the calendar year in which it is first made available to the public. However, if during one of those periods the identity of one of the persons becomes known the general rule relating to copyright duration for films will apply.
Work becomes available to the public if it is shown in public or communicated in some other manner to the public. However, if the work has only become available to the public as a result of an unauthorised act such act will not be taken into account for the purposes of determining the duration of the copyright.
Where work is created outside of the EEA and the author is not a national of an EEA state, the laws relating to the country in which the work was created will apply as long as such laws do not exceed the periods set out above.
In relation to work of joint authorship the exception relating to non EEA nationals will only apply if all of the joint authors are non EEA nationals.
In the unlikely event that there is no principal director, author of the screenplay, author of the dialogue or composer of music specially created for and used in the film copyright expires at the end of the period of 50 years from the end of the calendar year in which the film was made.
In relation to broadcasts as a general rule copyright expires at the end of the period of 50 years from the end of the calendar year in which the broadcast was made. The fact that a broadcast may be repeated does not affect the duration of copyright since it is the date of the original broadcast that is taken into account when determining the duration of copyright.
The following is an exception to this general rule:
Where the author is not a national of an EEA state, the laws relating to the country in which the author is a national will apply as long as such laws do not exceed the periods set out above.
However, if this would contravene an international obligation to which the UK became subject prior to 29 October 1993 the general rules relating to the duration of copyright for broadcasts will apply.
Copyright in the typographical arrangement of a published edition expires at the end of the period of 25 years from the end of the calendar year in which the edition was first published.
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